Greg’s Camera Bag

Like most folks who carry a “big” camera, I am frequently asked what I shoot with.  Currently, I am all digital and have been since 2003.  I suspect I will go back to all film, medium and large formats, pretty soon.  But that’s another story!

I guess the first thing is my camera bag itself.  I use a Lowepro backpack style.  It offers good rain and moisture protection and can handle two bodies, my three main telephotos, filters, cleaning stuff, batteries, etc etc.

My primary “system” , (I prefer to think of camera and lens combos) is a Kodak Pro/c 14 mega pixel full frame with a Sigma 50-500mm  f4-6.3.  I’ve had the Kodak camera for a few years and it is still the greatest pixel camera available.  It takes wonderful images with incredible color which is why I own it, but isn’t a “great” camera.  It has a lot of faults, like it is slow, has a poor battery system and isn’t even made anymore.  But, I bought it for the images.

The Sigma 50-500 is just incredible.  I take almost all hand held shots so this big heavy and pretty fast lens is a must.  I also frequently use a circular polarizer so the Sigma’s internal expansion is essential, plus, an expanding tube is a no-no for the hand held shooter.  It also works with the full-frame sensor without significant (or even noticeable) vignette.   This has been a problem for me with several other lenses and this camera.

The other guy is a Canon 40D coupled with a 28-300mm Tamron 3.5-6.3.  There are already enough superlatives written about the 40D (I previously owned the 10D, 20D and 30D), though they don’t cover why I bought my 10D in the first place.  At the time I lived in Kotzebue, Alaska just a tad north of the Arctic circle and 700 miles by air from the nearest lab.  I needed a digital camera that would function at 50 below, well at least for a couple of shots.  Only Canon’s battery system and CMOS sensor would cut the tundra. 

I was sold on the 28-300mm doing some wedding photography.  As far as I know no other lens puts so much into such a compact container. And it produces super sharp images, even wide open and is an easy carry on a mountain bike or kayak.

I have a couple other lenses I use with the 40D, the venerable 70-200mm 2.8 L IS and the kit 28-135mm 3.5-5.6 IS.  I have to be honest and say I haven’t had the best luck with IS.   Even though I hand hold I haven’t gotten the IS bug.  The 70-200mm is especially for low light theater and dance photography.  I was using a Tamron 200-400mmm 5.6.  This worked great from the back row but took some timing shooting at 1/8th second.   I still really love that old monster but it is poorly sealed and gets dusty.  I do have a 50mm 1.8 standard lens and a 22-55mm 4-5.6 but I almost never use them.  And a final contraption is a Tamron 1.4X multiplier which I carry but never seem to have a use for.

I do own a tripod, a QSX 9500, but it also doesn’t see much use.  I also only use Sandisk  Ultra II and III two gig cards.  They are the only ones that have proven successful in my harsh environment.  I carry quite a few because I always feared using larger cards.  I know they can fail.